DOD Rubberneck Electric Guitar Analog Delay Pedal DOD0015

Product Information

Despite being an analog delay pedal, the dTape Echo has a patented Sharc DSP Technology integrated into it, giving you complete control over every single aspect of the Tape Echo. This includes machine health, tone aging, delay time, tape age, and more all within that rich and warm analog sound. As well as being able to be used as a tap tempo for syncing your delay time with your music, holding your foot down on the Tempo/Regen switch will It's got more going on that a typical analog effect. However, it could be drawing less if I'd used a more efficient op amp than the 4580. I regret this. The Tap Ratio switch makes it easy to get repeats that are perfectly in time, create triplets and achieve a doubled up feel Gain and Tone knobs allow you to shape the overall sound of the delay by increasing brightness, darkening the sound and adding more gain. The Level knob controls the output level of the delay signal. All you have to remember is that tape echo is going to sound vintage, analog delay will be warm, and digital delay can be whatever you want.

There's bags of control here with individualknobsfor Modulation Rate and Depth as well as Gain and Tone of the delay. It’s equipped with a number of controls that allow the user to shape the delay sound to their liking. The “ Time” control adjusts the length of the delay, while the “ Repeat” control determines how many times the delay repeats. The “ Mix” control allows the user to blend the dry, unprocessed guitar signal with the delayed signal to achieve the desired balance. TAP RATIO: Allows you to toggle between three different tempo ratios (quarter, eighth, and dotted eighth sub-divisions). However, if you use an expression pedal extensively, be warned that the technology isn’t at 100% and is more for limited use. However, if you’re that 80s hair metal dude, this is a case of “not my job, not my prob”. Tap TempoThe interesting point here is that while all of the original 70's grey editions contain the typically more desirable 741 chip, a lot of the early 80's Yellow versions had that same chip too - with the 351 chip though gradually taking over later on. So you have the Grey 70's editions as the most sough-after, then the early 80's Yellow editions, and finally the 90's Yellow reissues. All are discontinued now - while some Reverbers are wrongly calling the late 90's versions vintage now - which I would dispute. (Vintage > 40 years). For this reason it’s important, if you are one of the guys from Explosions In The Sky, to have a clear idea of what types of delay you want in your unit, and then make sure the delays you’re looking at cover all those bases.

The Meatbox had been riding high on my wishlist on occasion, but that has now really been supplanted by the Way Huge Atreides. Most likely next acquisition is probably a 741 Yellow Box 250 - if I can find one in good condition - and at the right sort of price! DigiTech’s latter sister brand DOD has delivered a number of pedal greats over the years, and since its foundation in 1973 by David Oreste Di Francesco. A lot of people focus on the early editions / 200 Series - while I’ve taken a slightly broader overview here - with the one concession really being the original 250 Overdrive/Preamp. Elsewhere I’ve gone for pretty much the latest viable editions - including the Blue reissue of the 201 Phasor - which also had Grey and Yellow predecessors. The Boss DD 500 allows you to save a massive 297 patches, and with the granularity of control you have over the delays in this unit, you might just use them all. Filter delays allow you to add oscillation or resonance adjustments to the delayed signal, allowing you to stretch your guitar into synth-like sounds. By the way, if you don’t have a looper, get one. They’re a killer practice tool as you can record a riff and then solo over it to your heart’s content. Simple. Range Of DelaysThe D-Seed has buffered bypass and does include tap tempo functionality on top of its four digital delay effects. Finally, the third consideration is power draw. Some of these delay pedals draw a ton of power, and you may find you’ll need to upgrade your pedal board power supply to accommodate. For this reason, it’s important to know if the pedals you’re looking at allow you to save your presets – and just as important is how easy it is to access them. The result is the ability to create a tape delay effect that can be of studio quality, or studio apartment quality. Coming a close second to the Strymon Timeline, the DD500 is a powerful delay unit from the maker of some of the most popular pedals in history.